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E2 shortcutok: (A Beyond the manual doksiból)
-Open the Quick menu, then press and hold the Q button again for a
few seconds to directly open the configuration menu for your custom
user settings (C1 to C7).
-Press and hold the MENU/OK button to lock the selector keys and the
AF-L and AE-L buttons. Press and hold the MENU/OK button again
to remove the key lock.
-Press and hold any of the four function buttons (Fn, Fn2, AF, or AE)
to directly access the configuration menu for the respective function
button.
-To confirm a new setting in shooting mode, you can either press the
MENU/OK button or half-press the shutter button.
-Half-press the shutter button to switch from playback mode to
shooting mode.
-Half-press the shutter button during an ongoing image preview (SET-
UP > SCREEN SETUP > IMAGE DISP.) to immediately cancel the
preview and return to the live view display.
-Half-press the shutter button for a few seconds to wake-up the
camera from sleep mode.
-Quickly press the MACRO button twice in a row to toggle between
macro and normal shooting modes.
-In AF-S shooting mode, press the command dial to zoom into the
currently active AF frame.
-In manual focus (MF) mode, you can also press the command dial to
enlarge the currently selected frame. When zoomed-in, you can choose
between two magnification levels by turning the command dial.
-Press and hold the command dial in MF mode to switch between the
different manual focus assist modes: standard, focus peaking, and
digital split image.
-During selection of an AF frame, you can press the command dial to
reset the AF frame to its default size. By turning the command dial,
you can change the size of the AF frame. Press the DISP/BACK button
to reset the position of the AF frame to the center. With the four
selector (arrow) keys, you can move the AF frame around and select
any of the camera’s 49 different AF frame positions.
-In playback mode (while viewing an image), press the command dial
to zoom into a 100% view of the shot. When you are zoomed-in,
pressing the command dial again returns the camera to its regular
view, displaying the full image.
-While displaying a RAW image in playback mode, you can press the
Q button to directly access the built-in RAW converter. This function
allows you to create new JPEG versions of your image with different
settings.
-In playback mode, press the MACRO (arrow up) button to view the
first of four information screens that show additional shooting
parameters and the focus point. This function is not available when
you are using the FAVORITES display mode.
-Unlike the X-E1 and X-Pro1, it’s not possible to engage SILENT MODE by pressing and holding the DISP/BACK button. You have to access this function via the SET-UP menu.Sok újdonság nincs benne, de hátha (az mf segéd váltás az új volt, azt kipróbálom).
És a mozgó objektumok fényképezéséről is írnak (teszem hozzá azt nem írják hogy kevés fény+kontraszt esetén ahol af-s elhasal, ott az af-c talál) - ez az összes modellre alkalmazandó:
Rule of thumb: Use AF-S (Single) for stationary subjects that don’t move
towards or away from the camera; use AF-C (Continuous) for subjects that
do move towards or away from the camera.
As usual, there’s no rule without an exception. Here is the so-called
“autofocus trick” or “shutter mash” technique.
This is how it works:
Set the focus selector switch to AF-S and the camera to single shot
(DRIVE button > STILL IMAGE). Make sure that high-performance
mode is on (SET-UP > POWER MANAGEMENT > HIGH
PERFORMANCE > ON).
Use Vario-AF and select an AF frame position and size that will
perfectly cover the part of the moving subject that you want to be in
focus. If possible, select one of the nine inner (central) AF frames. As
you know, these AF frames are PDAF-enabled. However, it’s definitely
possible to also use one of the 40 outer frames that only operate with
CDAF. (Természetesen ez E2/T1-re igaz csak). If your composition requires one of the 40 outer frames, go for
it!
Set a suitable exposure and make sure that the shutter speed is fast
enough to avoid unwanted motion blur. Most action shots require
shutter speeds of at least 1/500s.
Follow the moving subject in the viewfinder, making sure that the
selected AF frame always covers the part that needs to be in focus. Do
not half-press the shutter button!
Fully depress the shutter button in one swift motion when you want to
take the shot. The camera will need some time to focus, so make sure
that the AF frame stays positioned over the moving subject while the
camera is focusing. As soon as the camera is able to lock the focus, it
will automatically take the shot. This (the time between fully
depressing the shutter and the camera taking the shot) can take up to
a full second.
The “AF trick” or “shutter mash” is based on the camera’s autofocus priority
logic. When you release the shutter, the camera first attempts to lock the focus,
then take the shot. Since the delay between locking focus and releasing
the shutter is very short, the moving subject ends up being in focus most of
the time. This means that the “AF trick” works best with aperture settings
that offer sufficient depth of field, and with subjects that don’t move too fast
towards the camera.
A negative aspect of this method is the fact that there’s a delay between
fully depressing the shutter button and the camera taking the shot. This delay
is because the camera needs time to establish focus on the subject. This
makes it challenging to hit decisive moments, and requires some amount of
foresight from the photographer.
If the autofocus can’t lock onto a target within a second or so, the camera
will still take the shot, but it’s very likely that it will be out of focus.
With older X - mount models like
the X - Pro1, X - E1, X - M1, or X - A1, this method is the only way to capture subjects (using the camera’s autofocus) that are
moving towards the camera.[ Szerkesztve ]
Pixel 8 | C4 SpaceTourer 1.2 Pt '18 | 208 1.2VTi '18 | https://www.spritmonitor.de/en/user/MC_Pite.html | https://www.strava.com/athletes/99769725
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